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The Baroque period developed after the Renaissance and Mannerism art periods. It brought with information technology new perspectives about life, art, religion, and culture. The Baroque manner moved away from the severe elements depicted by the Protestant manner. The Catholic Church supported the development of Baroque with its origins in Rome, Italy, and eventually in European countries like northern Italy, French republic, Spain, Portugal, Republic of austria, southern Federal republic of germany, and Russia. Beneath, we discuss this decorative and fanciful art menstruum.

Tabular array of Contents

• ane Historical Foundations: When Was the Bizarre Period?
  • 1.1 The Reformation: The Catholic Church building and Protestants
  • 1.two Protestants versus Counter-Reformation Developments
  • 1.3 A Flawed Pearl: Definition of Baroque
• 2 What Is Baroque Art?
  • ii.1 Bizarre Fine art Characteristics and Techniques
• three Famous Baroque Artists
  • 3.i Baroque Paintings
  • 3.2 Baroque Architecture
  • three.3 Bizarre Sculpture
• 4 Other Famous Baroque Painters
  • 4.ane Flemish Baroque Artists
  • 4.2 French Baroque Artists
  • iv.three Castilian Bizarre Artists
  • iv.iv Dutch Baroque Artists
• 5 From Dark to Light: Bizarre and Rococo
• six Frequently Asked Questions
  • 6.one What Is Baroque Art?
  • 6.2 What Characterized the Baroque Menses?
  • 6.3 When Was the Baroque Period?

Historical Foundations: When Was the Baroque Period?

The Baroque period began during the the tardily 1500s until the early 1700s, and was wide and varied throughout Europe. Its principles of extravagance, ornateness, and decorated details were portrayed in a range of cultural mediums like paintings, architecture, sculpture, literature, and music. It was a menses of revival in art and culture with deep roots in the religious structures and powers of Western Europe at the time, which was the Catholic Church building, and shortly referred to as the Roman Catholic Church.

Baroque art of whatever kind was inseparably linked to the Catholic Church. In fact, the Church informed what fine art should look like in order to have a desired effect upon the people. It was made to inspire grandeur and awe in the people who experienced it, and became a wholly new sensory experience.

The Catholic Church backed the Baroque style because it needed a new and enlivened approach to inspire and uplift the common people once again, as well as to connect them with the Church building and its majesty. Afterwards the turmoil of war and conflicts from the Reformation, this was a refreshing resurgence for the Church.

The driving forces backside this can exist considered propagandist, as it used the modes of visual representation and communication (painting, compages, sculpture) in order to maintain the credibility and authority of the Catholic Church.

To understand the advancements that Baroque Fine art brought to fine art and culture, we need to look at the historical foundations underpinning this menstruation.

The Reformation: The Catholic Church building and Protestants

The Baroque flow adult from considerable political and religious upheaval in Europe, such equally the Reformation between the Protestants and Catholic Church during the 1500s. Although the Reformation may have started with many other religious figures before Martin Luther (a German monk, priest, and theologian), many scholarly sources signal to him as the catalyst of the Reformation, which set these events in movement.

Martin Luther is known for his publication entitled, "95 Theses", which he wrote in 1517 out of apprehension near various questionable deportment by the Catholic Church. His apprehensions were primarily about the Church (under Pope Leo X) selling indulgences, otherwise known as plenary indulgences, to people to raise money to build St. Peter's Basilica in the Vatican City of Rome.

Indulgences were almost like certificates guaranteeing people that they would go to Heaven and spend less fourth dimension in Purgatory if they offered donations to the Church, did a expert deed, visited a certain place, or recited a prayer. In this case, the financial donations helped the Pope build the Basilica. Martin Luther did not agree with this blazon of procedure, every bit he believed no one needed to pay for their place in Heaven. Furthermore, he had other deeper concerns near the Church and its stance on diverse religious matters relating to the Catholic Sacraments.

Beginning of the text of the first printing of the German version of the 95 Theses in 1557;Martin Luther, Public domain, via Wikimedia Commons

During this time, Martin Luther taught Moral Theology at Wittenberg Academy and he was also a preacher. He heard about the data that indulgences were being sold, and was fabricated aware of sermons being given most Wittenberg by another preacher called Johann Tetzel, a German Dominican preacher who was also the Grand Commissioner for indulgences.

Martin Luther sent the "95 Theses" to the Archbishop of Mainz, who was Albert of Brandenburg at the time, to inform him about what was happening. He also posted it on church doors in Wittenberg, which was a mutual practice to practise. The availability of the press press allowed Martin Luther to brand numerous copies of his publication. In fact, hundreds were printed in Germany, as well as translated to German from Latin. The document eventually landed in the hands of many respected intellectuals.

Information technology was in 1521 when Martin Luther came to strong disagreements with the Church, as he would non renounce his views when asked to. Because of this, he was denounced from the Church and considered a "notorious heretic" in the Edict of Worms, declared by Emperor Charles V.

After the turn of events from the Reformation, which was believed to take ended either during the Peace of Augsburg in 1555 or during the Treaty of Westphalia in 1648, the Catholic Church formed a Counter-Reformation. This started during 1545 to 1563 with the Council of Trent. The Quango of Trent consisted of many meetings addressing various issues and procedures present within the Church and its systems.

Protestants versus Counter-Reformation Developments

The Counter-Reformation as well sparked new developments in art and spirituality. The Protestants sought to do abroad with a lot of the Cosmic Church building's religious imagery, agreeing that it was besides extravagant. Some Reformists violently destroyed the Catholic Church's religious imagery, known as iconoclasm. The Protestants believed religious images should but depict Jesus or images of the cross, in line with Protestant values.

As a response to the severe styles depicted in Protestantism, the Catholic Church believed religious imagery held a lot of ability. Furthermore, during the events of the Council of Trent information technology was decided what religious imagery would be acceptable or not. The "pastoral role" of art was considered a main purpose of religious imagery, meaning that artists could depict the stories of Christ's suffering, crucifixion, and many of the saints related to Biblical stories. The council members made strict rules that all imagery could not contain any idolatrous innuendos.

What followed were new artistic styles and attitudes depicted in religious imagery, amend known as the Baroque period.

A Flawed Pearl: Definition of Bizarre

By understanding the pregnant of the term "Bizarre", we will proceeds more than context about what Baroque art stood for and was. The art developed during this time was the visual effect and accomplishment borne from deeper historical, social, and political problems in Europe. It was an age of discovery undoubtedly, introducing new concepts and techniques inside the art earth, and hence, an achievement.

The term baroque has been understood within various contexts. It is a French give-and-take, merely its root origin is traced to the Portuguese barocco, which ways "a flawed pearl". This term was related to jewelry as early on equally the 1500s onwards. Information technology was used to describe the shapes of existent pearls.

There are other definitions of the term that chronicle to philosophy, specifically logic, or Aristotelian Logic. As a Latin term, baroco, it was used to assist with remembering syllogisms, which were used in deductive reasoning formulas. Several scholars and philosophers practical this word beyond the school of logic, for example, Michel de Montaigne defined it every bit "bizarre and uselessly complicated".

La Visite à la thousand-mère('Visit to Grandmother', c. 1645-1648) by Louis Le Nain;Louis Le Nain, Public domain, via Wikimedia Eatables

Jean-Jacques Rousseau, a philosopher and musician in the 1700s, described Baroque music as being disharmonious in the Dictionnaire de musique ('Dictionary of music', 1768), stating, "Bizarre music is that in which the harmony is dislocated, overcharged with modulations and dissonance. The song is hard and unnatural, the intonation hard, and the move constrained. Information technology would seem that this term comes from the baroco of the Logicians".

Heinrich Wölfflin, an fine art historian from Switzerland, described "baroque" within the context of being an art fashion in his publication Renaissance und Barock (1888). In whichever fashion this term has been defined over the centuries, the underlying essence certainly conveys a sense of imperfection, confusion, and possibly even disorder and beauty.

This is evident in the Baroque style, whether it exist paintings, sculptures, architecture, music, or literature. Below, we take a closer wait at what Bizarre Art is.

What Is Bizarre Art?

Baroque Art was pioneered past noteworthy painters, architects, and sculptors who brought the visual ability of fine art to the masses. There were many important figures for the Baroque period. For instance, artists similar Caravaggio, who portrayed strong realism in his paintings, the Carracci brothers and their Bolognese School, which sought to movement away from the art of Mannerism (the art menses afterward the Renaissance), and Giacomo Della Porta, an Italian builder. Nosotros volition look at these artists and their contributions to the Baroque style in greater detail beneath.

Baroque Fine art Characteristics and Techniques

What ready the Baroque period apart from the Renaissance and subsequent Mannerism periods was its focus on more liveliness in its subject matter and a stark realism. Some sources too describe it as focusing on the moment the event is taking place, or otherwise the "action" or drama. The subject matter was of religious and biblical narratives, every bit instructed by the Catholic Church building. These would range between images of the Virgin Mary, the diverse Saints, and various stories from the Bible.

Furthermore, Baroque paintings were characterized by the utilise of vibrant colors practical with swirling and wide brushstrokes, which indicated motion and emotional intensity. This painting style focused on depicting large expanses of calorie-free and openness, which was also seen in architecture, such every bit the churches with expansive areas within the eye of the edifice, capped by cupolas (domes or square-similar crowning structures over a roof) above for more light to enter the building.

Chiaroscuro

Chiaroscuro is an Italian term that means "light-dark". It focuses on defining contrasts in painting. This technique started in the Renaissance flow, but it was the mode Caravaggio utilized it that it became a popular characteristic of the Baroque period. With the potent emphasis on dark and calorie-free within his compositions, the viewer almost becomes a function of the consequence portrayed in the painting.

An case includes Caravaggio'sThe Calling of St. Matthew (1599 – 1600), where nosotros see the right finger of Christ pointing towards St. Matthew. The light and shadow on the wall from the incoming sunlight is directly echoed aslope Christ'south pointing finger.

The Calling of Saint Matthew(1599-1600) past Caravaggio;Caravaggio, Public domain, via Wikimedia Eatables

Tenebrism

Tenebrism was another technique used by several Bizarre painters, popularized and believed to have started by Caravaggio. Although it is like chiaroscuro, it mainly focuses on the darker areas of a painting. The term originates from the Italian word, tenebroso, which in turn originates from the Latin, tenebra, meaning "darkness". Other words related to this terms are gloomy and mysterious. It sought to create what is referred to equally the "spotlight" effect, likewise chosen "dramatic illumination".

Quadro Riportato

Quadro Riportato means "carried picture" in Italian, and it was used every bit a technique past which the creative person would paint what appeared as a frame effectually a painting, which would consist of a serial of paintings displayed as a fresco. This technique was used by one of the forerunners of the Baroque period, Annibale Carracci. Information technology is evident in The Loves of the Gods (1597 – 1600) fresco on the Farnese Palace's ceiling.

Carracci's Triumph of Bacchus and Ariadnedepicted in the center of The Loves of the Gods (1597-1600) fresco on the Farnese Palace's ceiling; Annibale Carracci, Public domain, via Wikimedia Commons

Illusionism: Trompe l'Oeil and Quadratura

The thought of "opening up" spaces within paintings was a large part of Baroque Fine art, every bit this too gave the sense of it being an optical illusion with the painted image appeared three-dimensional. Creating this three-dimensionality was known as trompe l'oeil, which means "deceive the centre" in French.

We can encounter this on many of the frescos in churches and paintings throughout the Baroque menstruum. Nevertheless, it did not start during this art period and can instead exist plant dating back every bit early on as the 1800s. In fact, this technique was used as early every bit some Greek mural paintings as well equally far into hereafter with artists similar Salvador Dali, who utilized this technique in his Surrealist paintings.

Baroque artists employed another perspective technique chosenquadratura, which depicts images that appear like parts of real compages and are intentionally painted equally continuations of the existent architecture. This technique used theories based on architectural perspective to employ information technology accurately.

Famous Baroque Artists

Below, we look at only a handful of well-known Baroque artists, including prominent painters, architects and their buildings, equally well every bit sculptors and their sculptures. However, this does non exclude the many other masterpieces created during the Baroque period and what they contributed to this period of art and culture.

Bizarre Paintings

Baroque paintings were found far and wide around Europe, and we volition meet paintings from Italy, French republic, Kingdom of spain, Flemish region, Holland, England, and Germany. Many artists had other artistic attributes that made them not merely painters, but sculptors, draftsmen, drawers, and architects, among others.

Nosotros will come across that there is a lot of crossover between many of these painters, as each of them drew inspiration from many sources during this time, including the styles of prominent masters from the Renaissance period similar Michelangelo, Titian, and Raphael.

Annibale Carracci (1560 – 1609)

Annibale Carracci pioneered Baroque painting forth with his brother, Agostino Carracci (1557 – 1602) and their cousin, Ludovico Carracci (1555 – 1619). They are well known for starting the Bolognese Schoolhouse of Art (1590 – 1630), initially named Accademia dei Desiderosi, which they later changed to Accademia degli Incamminati ("Academy of the Progressives").

This was a turning point for art in Italia every bit it moved away from the styles called Realism and Mannerism. Annibale Carracci sought to depict elements of Classicism and Naturalism in his artworks. He drew from the High Renaissance'due south stylistic theories of perspective and proportion to heighten the aesthetic and naturalistic appeal. He is remembered as having a realistic style with large brushstrokes.

His artworks had a lively effect and were painted in life-size and full-length in order to create a deeper emotional connection with the viewer. Additionally, he used the technique of illusion, as his paintings almost invited the viewer to become a part of the subject area matter with its realistic portrayals, often of religious figures and landscapes. Examples include Piet à (1585) and Resurrection of Christ (1593).

Pietà (1585) by Carracci;Annibale Carracci, Public domain, via Wikimedia Commons

Michelangelo Merisi da Caravaggio (1571 – 1610)

Caravaggio was a revolutionary artist of his time, and lived a more conflicted lifestyle, being involved in numerous crimes. He started his artistic preparation in Mannerism in Rome, just he eventually moved away from this way and adopted a more naturalistic approach. He became a pop artist due to his innovative style of painting and use of subject affair.

Caravaggio painted from the world around him and would often incorporate everyday imagery with the sacred figures. In a way, he bridged a gap between the normalcy of life with the sacred. He fabricated saints human, and some sources refer to the concept of "spiritual populism", in which he made sacred, religious art available to the ordinary man on the street.

The divine was not a far off ideal of perfection anymore, which was in line with what the Catholic Church wanted from art during the Counter-Reformation.

Many of the great examples of Caravaggio paintings include The Calling of Saint Matthew (1600), The Martyrdom of Saint Matthew (1600), Crucifixion of Saint Peter (1601), Death of the Virgin (1606), and the Flagellation of Christ (1607), among many others. Yous may notice Caravaggio's radical realism in his painting, Death of the Virgin (1606), which was criticized for its portrayal of Mother Mary. The dead virgin in this painting is Female parent Mary, but the artist depicted her lifeless body as simply some other woman – one might think that it is just another adult female who died.

Morte della Vergine('Death of a Virgin', 1606) past Caravaggio; Caravaggio, Public domain, via Wikimedia Commons

Caravaggio emphasizes the naturalness of this limerick with diverse elements, such as the simplicity of her wear, her hands and feet appearing swollen, and the simplicity of the scene and men around her body mourning her. The only indication of her being a holy figure is the thin halo effectually her head. Caravaggio opens the whole scene to the viewer in the forefront, with the various mourners seemingly creating a properties in the background, thus forcing the viewer to be there with the dead body of Female parent Mary.

Additionally, we see the utilize of stark contrast of dark and calorie-free in many of Caravaggio's paintings. His employ of the chiaroscuro technique became a signature characteristic of his artworks. This besides influenced many other artists around Europe, and became a phenomenon called Carravagism.

Artemisia Gentileschi (1593 – 1656)

Artemisia Gentileschi was a prominent female artist during the Baroque period. She is remembered for her use of techniques like chiaroscuro, a shut second to Caravaggio. She as well portrayed many women from biblical stories, scenes of rape and various power struggles, also equally emphasizing the function of a woman within a homo's world, equally the art world was mainly dominated by men at the time. Her scenes depicted the realism we then ofttimes see from many Bizarre masters.

Some of her pop works include Susanna and the Elders (1610), Danae (1612), and Judith Slaying Holofernes (c. 1620), which is a dynamic artwork and ane also washed past Caravaggio. In Gentileschi'southward version of Judith Slaying Holofernes (c. 1620) nosotros will see the artist focusing more on the women slaying the male effigy, who is busy struggling while the ii pin him downward and offset beheading him.

Giuditta che decapita Oloferne (' Judith Beheading Holofernes', 1611-1612) by Gentileschi;Artemisia Gentileschi, Public domain, via Wikimedia Commons

This composition takes place in the heat of the moment, so to say, as we also find how the claret sprays out of the neck, making the whole scene all the more emotionally intense and severe. She also used darker areas of color with the chiaroscuro technique in addition to a deep palette of colors.

Other aspects of this composition point to the ability Gentileschi displayed every bit an artist herself, being able to portray her subject matter the mode she wanted to. The tearing brandish of ability and death in this painting also points to the underlying motivation for painting a scene like this, as she was the victim of sexual assault as a young adult female.

Baroque Architecture

Baroque architecture is characterized by ornate decorations, high ceilings decorated with frescos, and lavish decoration to draw viewers' attention and emotional reactions of awe. It is important to notation the role of the Jesuits in Baroque architecture.

The Jesuits were a religious order at the time of the Counter-Reformation and sought to create a new type of architecture to inspire the people and depict the majesty of the Cosmic Church building.

Giacomo Della Porta (1532 – 1602)

Baroque compages is believed to accept started with the Church of the Ges ù (1584) and the pioneering style of its façade, which was designed past Giacomo Della Porta, a sculptor and architect in Italia. Giacomo Della Porta was an important architect for the Baroque period. He learnt from other corking masters of art like Michelangelo, and was instructed by Giacomo Barozzi da Vignola (1507 – 1573), a leading Mannerist architect in Italy.

Façade of Chiesa del Gesùin Rome, Italian republic, designed by Della Porta; I, Alejo2083, CC By-SA 3.0, via Wikimedia Commons

The Church of the Ges ùwas constructed for the Society of Jesus, also chosen the Jesuits. Della Porta worked alongside Vignola on this edifice, and although the advent of the façade was not equally elaborate equally the later on Baroque buildings – we can run across it appears minimally decorated overall with only a concentration of architectural adornments nigh the entrance – it prepare the tone for the beginnings of Bizarre architecture.

Baroque Sculpture

There were many great sculptors during the Baroque period, merely there was ane artist who stood out among everyone else and laid the foundations of what sculpture was. Baroque sculpture was made, as ordered past the Catholic Church, to create awe and inspire the mutual people.

Baroque sculpture was characterized by various features, namely its interactivity, as viewers were able to walk around the whole sculpture and view its completeness, which fabricated its message more impactful. It was also used in churches to accentuate architectural structures. Furthermore, sculptors were then skilled in their art they created works with extensive attention to detail, from gender to the diaphanous nature of the fabric on the sculpted figure.

Giovanni Lorenzo Bernini (1598 – 1680)

This brings usa to Giovanni Lorenzo Bernini, an builder and sculptor in Italia. He was predominantly a sculptor and has been compared by some scholars to possess the aforementioned importance that Shakespeare had for the world of theater and literature.

Bernini was considered a prodigy during his early years, with many comparison him to Michelangelo.

Bernini's sculptures depicted the moment of action taking identify, which added to the intensity of the work upon viewing it. His discipline matter consisted of biblical and mythological scenes and figures, and nosotros can see examples of this in his sculptures like Aeneas, Anchises, and Ascanius (1619), The Rape of Proserpina (1621 – 1622), Apollo and Daphne(1622 – 1625), and David (1623 – 1624).

Apollo and Daphne (1622-1625) by Bernini; Gian Lorenzo Bernini, CC BY-SA 4.0, via Wikimedia Commons

One of Bernini'south greatest sculptures to date is the Ecstasy of Saint Teresa (1647 – 1652). Made of pure marble, information technology is housed in the Cornaro Chapel in Rome. The sculpture depicts Saint Teresa of Avila lying one-half-conscious on a cloud with an angel. The angel is slightly elevated, next to her trunk on her right, and just about to pierce her heart with a spear. The marble is carved in such a way that makes the Saint appear as light every bit a plumage floating on the deject, which highlights the story Bernini is portraying here.

Here, we run across Saint Teresa experiencing a deep moment of ecstasy. Information technology appears spiritual in nature, but Bernini also focused on the physical and sensual effects this experience gave the Saint. We see this in the mode her body lies as well as her facial expression. Behind the cardinal figures, nosotros likewise find what appears similar rays of low-cal shining downwards on the moment of pure elation.

When we await at the whole limerick, we will also observe the key figures are within a columned construction with two theater boxes on either side of the main subject of the Saint and Angel. The theater boxes are directly reverse the other and contain sculptures of the Cornaro family.

Trasfigurazione di santa Teresa('Ecstasy of St. Teresa', 1652) by Bernini;Gian Lorenzo Bernini, CC By-SA 2.0, via Wikimedia Commons

Other Famous Baroque Painters

Beneath are other famous Bizarre artists worth noting, peculiarly artists that came from dissimilar European countries other than Italia.

Flemish Bizarre Artists

Peter Paul Rubens (1577 – 1640) was an influential Flemish artist that created artworks with religious themes, including mythological scenes. His piece of work varied from landscapes, portraits, altarpieces, and paintings. This Bizarre period artist was known equally giving northern art, specifically painting, a new perspective. He was influenced by artists similar Titian and incorporated a diversity of male person and female person figures in the nude in his paintings.

Furthermore, his paintings depicted stiff emotional vibrancy and are ofttimes described as exuberant in style.

Some of his famous artworks include The Summit of the Cross (1611), Massacre of the Innocents (1612), Prometheus Spring (1618), The Adoration of the Magi (1624), Venus and Adonis (1635), and The Three Graces(1639), and the Return of the Peasants (1640), which depicts Ruben's dear of landscapes.

The Three Graces (c. 1635) by Rubens; Peter Paul Rubens, Public domain, via Wikimedia Commons

French Bizarre Artists

Georges de La Tour (1593 – 1652) created artworks using strong chiaroscuro techniques similar to Caravaggio. However, what fabricated La Tour's paintings different was his simplified approach and rendering of figures. He is known for depicting scenes that appear by candlelight.

Where Caravaggio's paintings depict emotional intensity, La Tour's paintings depict an emotional stillness. His subject thing was of religious figures and narratives. Examples of his artworks include The Penitent Magdalene (c. 1640), Joseph the Carpenter (1642), Nativity (1644), and The Newborn Christ (1645).

The Penitent Magdalene (c. 1640) by de la Tour;Georges de La Tour, Public domain, via Wikimedia Eatables

Spanish Baroque Artists

Diego Rodríquez de Silva y Velázquez (1599 – 1660) was a Castilian Baroque menses artist who also painted for Male monarch Philip 4's court, which led him to paint numerous portraits of court officials besides every bit of the Spanish royal family unit. He was well-known as one of the pioneering portraiture artists of his time. Many sources also refer to him every bit the "the painter's painter" due to his extensive attending to item in his paintings. He often painted everyday scenes of people and nature.

Some of his famous artworks include The Supper at Emmaus (1618 – 1623), The Surrender of Breda (1635), Portrait of Juan de Pareja (1650), Portrait of Innocent Ten (1650), and Las Meninas (1656), the latter of which is one of the almost famous artworks past the creative person due to the strategic rendering of compositional elements similar space, color, perspective, and line.

It depicts Infanta Margarita, who was Rex Philip Four's girl. She is surrounded by female attendants with her in the center richly clad as royalty. We can likewise notice the creative person depicting himself in the groundwork while he is in the process of painting the scene.

Las Meninas ('The Maids of Honour', 1656-1657) by Velázquez;Diego Velázquez, Public domain, via Wikimedia Commons

Dutch Bizarre Artists

Rembrandt Harmenszoon van Rijn (1606 – 1669) was i of the near influential and well-known Dutch painters, and to this twenty-four hour period he is remembered as an important artist. This Dutch Baroque menses artist produced many great artworks during his career, including the masterpiece, The Nighttime Lookout (1642).

Van Rijn created different scenes of everyday life, landscapes, as well as religious and mythological subject matter. Rembrandt's paintings are well-known to take captured the affluence during the Dutch Gilded Age, the period during which he painted.

His paintings showed varied emotional states including a keen eye for detail while painting his scenes. He besides utilized techniques of lite and dark contrasts (chiaroscuro) and innovative ways of handling his paint and brushstrokes, oftentimes using different textures.

Some of his famous paintings includeThe Beefcake Lesson of Dr. Nicholas Tulp (1632), Homo in Oriental Costume(1632), The Dark Sentinel (1642), Slaughtered Ox (1655), Jacob Approval the Sons of Joseph (1656), andCocky-Portrait with Two Circles (1660).

The Night Watch (1642) past Rembrandt;Rembrandt, Public domain, via Wikimedia Commons

From Dark to Low-cal: Bizarre and Rococo

The Baroque period, which started in Rome, eventually evolved into what was chosen the Rococo menses, which started around 1702 until 1780 in France. The Rococo period was a fourth dimension during which art portrayed a sense of lightness as opposed to the darker portrayals nosotros see from the Baroque menses. What both art movements shared was the dramatic flair in their artworks and use of ornate decorations, seen in paintings, sculpture, and architecture.

Baroque continues to live on in the future with many Baroque flow artists influencing other artists from the Rococo period, also every bit subsequent fine art movements similar Romanticism, Impressionism, and Post-Impressionism. Gimmicky artists and architects similar I.M. Pei and Frank Gehry have also used inspiration from Bernini'south structures.

Bizarre art was an innovative art menses led by many great artists of its fourth dimension who sought to move beyond the boundaries of what art was earlier. With a foundation in depicting the realness and naturalness of life and its people in combination with the sacred imagery of biblical and mythological figures, information technology brought the idealistic downwardly to earth.

You can besides read our bizarre fine art facts webstory.

Frequently Asked Questions

What Is Baroque Art?

Baroque art started during the tardily 1500s into the early 1700s. It was an art menstruation during the Counter-Reformation when the Cosmic Church was in opposition to the Protestants, who had started the Reformation. Equally part of the reaction, the Catholic Church wanted art to inspire the masses and exit them in awe of the magnificence and beauty of not merely the Church building, but the power and majesty of the Biblical and mythological narratives portrayed through paintings, sculpture, and architecture.

What Characterized the Bizarre Menstruum?

The Baroque period was characterized past using embellished and ornate decorations in paintings, sculpture, and compages. Baroque artists portrayed a heightened sense of emotion in their paintings – often a scene when the virtually action would have place. Furthermore, the Baroque period can be known to exist theatrical while remaining true to the styles of classicism and naturalism. Many artists used new techniques to emphasize emotion, such aschiaroscuro, which explored lite and dark contrasts.

When Was the Baroque Flow?

The Baroque period started every bit an art movement afterwards the Renaissance and Mannerism fine art periods, and was followed by the Rococo art movement. Many artists during the Baroque menses turned away from the styles in Mannerism and were influenced past leading artists from the Renaissance period, often using the styles from the High Renaissance to create what was known equally Baroque fine art.

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Source: https://artincontext.org/baroque-art/

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